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Title: 以臺灣傳統皮影戲為創意元素之動畫設計
A Study into Animation Design for Cultural Heritage of Taiwan Traditional Shadow Puppetry
Authors: 李妍潔
Yan-Jie Li
Contributors: 應用設計研究所
陳定凱(Tin-Kai Chen)
Keywords: 動畫創作;創新角色設計;臺灣皮影戲;數位典藏
Animation Design;Innovative Character Design;Taiwan Shadow Play;Digital Archives
Date: 2012
Issue Date: 2012-12-11 15:16:24 (UTC+8)
Publisher: 高雄市:[樹德科技大學應用設計研究所]
Abstract: 皮影戲自三百多年前由大陸潮州傳入南臺灣之後,高雄成為臺灣皮影戲的重
要根據地,全台灣唯一的一座皮影戲館也座落於高雄市岡山區。皮影戲逐漸式微
的今日,如何透過保存、創新、教育、推廣等工作活絡已瀕臨滅絕的傳統戲劇,
是努力的指標與方向。本研究透過高雄市政府皮影戲館珍貴的影音資料以及對皮
影戲偶的構形研究,結合製作出動畫創作設計,企圖透過臺灣傳統皮影戲藝術元
素與現代動畫創作,運用創新的劇本和皮影戲偶結構設計,保留傳統藝師口白唱
腔及音樂元素,希望在傳統文化的傳承保存與創新發展上取得平衡。創新皮影戲
偶設計、劇本將是本研究的著眼點,利用3D虛擬建模技術以及動畫運鏡手法,
希望能夠設計出有別以往的新創作。
"Shadow Play" is a set of comprehensive art involving literature, music, painting, crafts and Chinese drama, which has been a precious cultural asset of Kaohsiung City since its introduction to southern Taiwan from Chaochow in Mainland China three hundred years ago. Since then, Ganashan Cultural Center Shadow Play Museum has become an important cradle for Taiwanese shadow play. Although the once flourishing traditional the shadow play fell into a steep decline during the twentieth century, indeed, shadow play has already evolved in many ways. The purpose of this research was to design a three-dimensional (3D) animation by integrating Taiwan's traditional shadow play elements into modern animation design process through character design, manuscripts, storyboard and musical elements of traditional culture, which in turn allows users to understand the story and history of the shadow play and culture. It hopes that the digital shadow play could to increase the potential to sublimate culture and tradition.
Appears in Collections:[應用設計研究所] 博碩士論文

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